Sep. 29th, 2008

arontius: (Default)
.....Was reading an article today on the history of Shakespeare's works as reprinted through history and ran across an abstract for an article on the actual editing of Shakespeares works. I had to pass it on for your perusal...

....."A generation ago, many Shakespearean scholars simply accepted the versions of the play that they were provided with by editors. So long as the label was right – Arden, Oxford, Cambridge, Penguin, Riverside, Pelican – the content was assumed to be reliable. But editing can never be transparent – it is always influenced by the cultural assumptions of the editor and his or her era, however submerged those assumptions may be in terms of the editor's stated textual practices. In the late twentieth and twenty-first centuries, as a result of feminist and postcolonial critical approaches to Shakespearean texts, we have begun to realize the degree to which our inherited editions are shaped in accordance with assumptions about colonialism, race, and the status of women that are no longer acceptable to us, and that in fact distort elements of Shakespeare's plays as they exist in early printed quarto and folio versions. As earlier disciplinary boundaries between editing and criticism have broken down, Shakespearean critics have increasingly turned to editing in order to undo some of the racist and sexist assumptions behind our received texts of the plays."

.....So, would you interpret this to mean what I've been advocating to you for a while now, that being when you edit his works you alter his intent and the reasoning behind the piece? Which would further suggest that the editing of Shakespeare is not a good idea?

.....Thoughts? Ideas? Opinions?

.....(Psssst! Neener, neener, neener! :-P)

.....Arontius / Aaron.

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Arontius

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